Bob McDonald

9.3

Mates Vineyard is considered the best of the Kumeu River Chardonnay Cuvées but to be honest they are all delicious. This has such stone fruit intensity on the palate together with ripe grapefruit and Cashew. All in balance and drinking superbly. An outstanding new world Chardonnay. A few years left in its drinking window. It will always have that superb fruit and will develop a little more complexity - have the last 2019 in a year or two. — 4 days ago

Ericsson

9.3

Napa Bordeaux style blend, pop n pour with scents of wet earth and perfectly ripe red fruit. Exquisitely balanced on the palate, soft tannins, medium alcohol… Loved the wine, definitely old world character, but must say there is short finish (a bit disappointing with this caliber of wine to be explicit). Still, great wine. — 6 months ago

Jay Kline

9.3

Popped and poured, no formal notes. Despite its relative youth, the 2017 Sassicaia is showing very nicely right now. To my palate, this does as good a job as any in deftly straddling New and Old World…and just leans enough towards its structure and non-fruit characteristics to give it a sense of place. To be clear, there is plenty of fresh and delicious fruit, it’s just that the structure and the firmness of the tannin and acid is so “favoloso”. Drinking well in its youth but should drink very well through 2042. — 8 months ago

Alex Taylor

8.9

Solid white. Not funky. 2022. — 4 months ago

GaryWEdwards

9.7

Wow. This Ribero del Duero stands with the best of Old World wines and maybe the best among what Spain offers. — 5 months ago

Ron R

9.5

Not ready for prime-time just yet, but that didn’t prevent us from committing the felony.
Pale straw color in the glass links up with lemon curd and a hint of gooseberries. Robust acidity frames this up nicely. Finishes taught and with urgency. Drinking the best wines in the world can be a little like fumbling around in the dark. But with this, I can see in the dark. — 6 months ago

with Anne-marie

Jay Kline

9.3

Served to me double-blind. The wine pours a deep ruby color with a slightly orange rim. Medium+ viscosity and some moderate staining of the tears. There appears to be some sign of sediment as well. On the nose, the wine was intense with notes of dark cherries, a mix of red and black bramble fruits, licorice, some leather and dried gravelly earth. I don’t detect any use of barrique but maybe some large format oak. This has an old world nose to it that was really lovely. On the palate, the wine is dry with medium+ tannin and medium+ acid. Confirming the notes from the nose and while the fruit had some power, it came in a body that was pretty fit and tidy. Alcohol is medium+. The finish is long and had some stoney minerals too. I called Brunello di Montalcino from a warmer vintage like 2009. Whoa…2007 Beaucastel! Damn, they hit so different than most other CdP’s. So much more restrained! But now that it has been revealed and I’ve allowed more time for it to breathe in my glass, I totally get its sense of place. One of my big takeaways is that I need more experience with these wines, particularly with age because that’s when they become more interesting to me. This is drinking well now but I expect it will continue to do so through 2032 with ease. — 8 months ago

Ge Reid

9.0

Enderle & Moll Pinot Noir
Liaison 2021
Baden, Germany
12.5% ABV

German Pinot is supposed to be the next big thing, the best Pinot Noirs outside the Cote D'Or. And Enderle and Moll is reputedly its top producer , with a cult-like following in the German-speaking world. They make 3 versions, somewhat comparable to regional level , village level and grand cru, their top wine being the Buntsandstein. The Liaison is their mid-level offering from old vines up to 50 years old grown on limestone and sandstone soils. Needless to say , I've been dying to try one and see if it lives up to the hype.

On Day One , pop and pour. Very light, translucent ruby. Pretty red fruit and fresh mushroom aromas lead to a light yet intense entry on the palate with bracing , mouthwatering acidity dominating the wine at this stage. Showing more '21 Germany than Pinot character at this stage, so corked and revisited the next day.

On Day Two, this has completely transformed . The first thing noticed is that the color has become darker and deeper, and now looks like classic young burgundy. Aromas are also much more developed , with scents of Indian spices underneath the cherries , raspberries and forest floor. The tiniest hint of wood adds breadth and depth to a bouquet of classic pinosity, but with a character all its own.

On entry, this shows typical flavors of red fruit (currants , marasca cherries , cranberries ), brown spices , and sous bois in a light -bodied but incredibly intense package , with bracing acidity unlike any Pinot Noir I've ever tasted. Despite all the mid-palate energy , this has only moderate length and intensity on the finish. There's a bit of barely noticeable tannin. Built for medium term aging , it will be interesting to see if it remains balanced as it develops. Regardless , the acidity helped make it exceptionally good at the table , here paired with an herb and teriyaki roasted Salmon.

The Liaison can be found for around $30 here in the States , making it an excellent value, though California Pinot lovers might find the level of acidity shocking . While it's not going to make me think about pouring my Wilamette Valley Pinots down the drain , this is really good for the level, and really food friendly. A Pinot for Italian Wine lovers . — 4 months ago

Brad Jensen

9.4

Strawberries, eucalyptus and plums on the nose, maybe even a lil crushed raspberry on a medium body, with a ruby core with purple hues through the edges. Old world styled, gripping tannins and dry, with prominent eucalyptus, ripe plum, cigar smoke, and tart cranberries and maybe even a lil tar. Definitely could use some time to soften, but still beautiful! — 7 months ago

Jay Kline

9.3

Opened about four hours prior to service and allowed to breath. Two bottles were opened tonight from the same cellar and one of the corks showed some small signs of seepage but both wines showed equally. No formal notes. The 1997 Opus One pours a fairly youthful looking deep ruby color with moderate signs of sediment and a near opaque core. The nose exhibited powerful aromas of dark fruits, organic earth, tobacco, leather, horse blanket (brettanomyces?!), and fine baking spices. On the palate, the wine is dry and the structure remains quite firm but the texture is plush and almost chewy. The notes on the nose are confirmed and the finish is long and satisfying.

But the tasting notes only tell half the story here. This was consumed alongside a 1990 Chateau Mouton Rothschild. Had these been served together double-blind, I would have absolutely understood if someone called both as left-bank Bordeaux. Yes, the texture was plush and yes, the color was dark(er), but only just. It was just waaaay more Old World leaning to me with the earth and presence of brett. Which makes me wonder, why hasn’t brett been noted very often in other TN’s for this wine? Only (Charlie Carnes and OneFive) really address it directly and maybe this is what most are getting at when they mention “Bordeaux-like” and all the Pauillac vibes. What I can confirm is that these notes were consistent between two bottles from the same case, still in their tissue paper, so I’m reasonably confident that this is characteristic of the 1997 Opus One. I digress; I liked the wine. There, I said it. It was a bit of a one foot in Old School Napa, one foot in New School Napa, handled with an Old World touch. I liked it even better side-by-side with the ’90 Mouton, especially considering the relationship between the two. That being said, folks that can’t get down with a little brett will be turned off by this vintage of Opus. In my case, I would enjoy another opportunity to drink the 1997 some time. Great now with some air to stretch its legs and should be enjoyable through the next decade.
— 9 months ago