Very ripe nose - almost port-like. Palate is full bodied, rich, round, plush, but without tannin or acid to balance out the opulent, sweet plummy fruit. Barossa-like. Very alcoholic. A big drink. — 3 years ago
Nice, rich, enticing aroma of blackberries & fresh black plumsc with spicy cedar and a fresh whiff of lavender. Ther’s a tiny hint of freshly cracked black pepper and allspice. Warm & rich yet nicely fresh & juicy.
On the palate this is medium bodied with beautiful, velvety, plush, juicy tannins. So finely polished. Nicely balanced with the acidity still fresh and while the fruit is slowly starting to show some age, it’s still juicy - I like the savoury, earthy side. Good depth and length, too.
This has to be peaking right now and is drinking very nicely. — 7 months ago
Opened about four hours prior to service and allowed to breath. Two bottles were opened tonight from the same cellar and one of the corks showed some small signs of seepage but both wines showed equally. No formal notes. The 1997 Opus One pours a fairly youthful looking deep ruby color with moderate signs of sediment and a near opaque core. The nose exhibited powerful aromas of dark fruits, organic earth, tobacco, leather, horse blanket (brettanomyces?!), and fine baking spices. On the palate, the wine is dry and the structure remains quite firm but the texture is plush and almost chewy. The notes on the nose are confirmed and the finish is long and satisfying.
But the tasting notes only tell half the story here. This was consumed alongside a 1990 Chateau Mouton Rothschild. Had these been served together double-blind, I would have absolutely understood if someone called both as left-bank Bordeaux. Yes, the texture was plush and yes, the color was dark(er), but only just. It was just waaaay more Old World leaning to me with the earth and presence of brett. Which makes me wonder, why hasn’t brett been noted very often in other TN’s for this wine? Only (Charlie Carnes and OneFive) really address it directly and maybe this is what most are getting at when they mention “Bordeaux-like” and all the Pauillac vibes. What I can confirm is that these notes were consistent between two bottles from the same case, still in their tissue paper, so I’m reasonably confident that this is characteristic of the 1997 Opus One. I digress; I liked the wine. There, I said it. It was a bit of a one foot in Old School Napa, one foot in New School Napa, handled with an Old World touch. I liked it even better side-by-side with the ’90 Mouton, especially considering the relationship between the two. That being said, folks that can’t get down with a little brett will be turned off by this vintage of Opus. In my case, I would enjoy another opportunity to drink the 1997 some time. Great now with some air to stretch its legs and should be enjoyable through the next decade.
— 10 months ago
Nice red. Fruity but not too sweet. — 3 years ago
Conrad Green
What a nose. Deep plush plummy fruit with violets, roses, bloodiness, iron. This is so lively and bright still. Very delineated and plush but with structure that makes everything shine. Lush and gorgeous. — 2 months ago