Sottimano
Currá Barbaresco Nebbiolo
When tuning a violin, one has many options. A tuning fork has always been my preference. I like the clear tone created by the vibrations of the fork smacking the side of my case and then clamoring to find just the right harmony with the wood of the instrument. The sound has a purity and if Hemmingway was a tone, he would be the A created by the tuning fork. Wine can hit a tone. It can express a purity of flavor that harmonizes with itself, and most importantly, harmonizes with our own personal vibrations. It can be a clear and graceful expression of itself, un-muddled by faults or ego. Just fruit and alcohol and tannin and acid. The powerful clarity of a single note in the measure of a tune.
When tuning a violin, one has many options. A tuning fork has always been my preference. I like the clear tone created by the vibrations of the fork smacking the side of my case and then clamoring to find just the right harmony with the wood of the instrument. The sound has a purity and if Hemmingway was a tone, he would be the A created by the tuning fork. Wine can hit a tone. It can express a purity of flavor that harmonizes with itself, and most importantly, harmonizes with our own personal vibrations. It can be a clear and graceful expression of itself, un-muddled by faults or ego. Just fruit and alcohol and tannin and acid. The powerful clarity of a single note in the measure of a tune.
Dec 1st, 2018Wine and dine with Andrea Sottimano. Difficult to rate against the Cotta. This one holds back a little bit, the Cotta is more forward
Wine and dine with Andrea Sottimano. Difficult to rate against the Cotta. This one holds back a little bit, the Cotta is more forward
Nov 20th, 2017